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Better Businesses

Start the New Year right with positive changes in studio policies and practices  


 

Just one more month left of 2007—are you ready to make some New Year’s resolutions for your business? If you’re looking for ideas, read on. At the DanceLife Teacher Conference in July, and in our e-newsletter this fall, we asked attendees what changes they planned to make (or had already made) as a result of what they’d learned in the conference’s business seminars. Here are some of their responses, which just might inspire you to make a few changes in your own business practices.

 

Christine Brunet, DanceWorks, Elliot Lake, ON, Canada

What I took back to my studio (of 19 years) was to put value on myself and my talent. It can be difficult to explain to others (especially educated professionals) the value you give to their children. The parents who have known us for years are wonderful and our biggest supporters; the “new generation” can be a bit challenging. I did not hesitate this year when it came to administering the registration/competitive dance fee (which I have never charged) and was surprised that only one person asked about it. Like Rhee said, “Know what you are charging that fee for and make sure all your office staff knows as well.” That is exactly what we did.

 

Linda Shaw, All That Dance Studio, Bridgeton, NJ

We decided to create a professional-looking handbook that would include pertinent information regarding our studio’s policies, especially about paying June’s tuition. (Last June we held our recital before the third week, so several families thought they didn’t need to pay that month’s tuition.) We changed our policy to state that June’s tuition is due by May 15, explained that we offer a family discount and that if a child attends more than one class, the tuition chart indicates a reduction. We used the word “reduction” to indicate that there is a discount, and we added that tuition is a total fee for the classes provided. We state that we offer a 10-month payment schedule and the option of automatic payments, and we added a withdrawal policy.

 

We spelled everything out, included an index, and bound it in a cheap (5-cent), three-hole portfolio with our logo on the cover. Each parent had to sign off that they received and read the handbook. I was surprised at the favorable responses to it. I feel that, along with periodic reminders, it will eliminate a lot of problems and shows that we are organized and want to keep our parents informed.  

 

Lindsay Kaufmann, Dance Classes With Miss Lindsay, Palm Springs, CA

I made a website and a new brochure. I introduced myself to my competitor. I have integrated my knowledge from Gregg Russell’s tap class into my classes. I bought an iPod and put all my teaching music on it. I realized that it does not matter how small or large your studio is, it is important to produce the best you can for your program—and it works!

 

Genesa M. Kenney, Movements In Motion Dance Studio, Havertown, PA

Last year, in my school’s first year, I advertised in a magazine that targets 44,000 households each month. I bought a full-page ad with a picture of little girls all posed and dressed the same. I listed the types of dance, how we had a new sprung floor, open house dates, etc. I had about 55 students. After the conference I knew that I had to change my ad to show my true vision for my studio. I remembered Rhee saying, “Less is more.” I decided to use a photo of my students in class, each wearing something different. I kept it simple with the words “A Window Into the World of Dance,” with my logo in the background and only important dates and info on the page. It has really paid off. We had phone calls the afternoon the magazine came out. The phones were ringing constantly, the open houses were packed, and classes were filling and closing. We added more classes and put people on a waiting list (something I always dreamed of). We have tripled our enrollment and people are still enrolling their children. Most of them said that it was the picture that captured them—the joy in the girls’ faces, the fun! And Rhee was right—the joy of knowing that I have a special place in a little girl’s heart is more rewarding than money.

 

Laura Doak, Artistry In Motion, Rock Springs, WY I decided to take the challenge “What are you going to do differently when you return home?” seriously. I am giving myself more credit than I have in the past. I am going to slightly raise prices on things like costuming, have a recital fee to help with expenses, and add late-payment fees to unpaid tuition. As a new studio owner I was letting parents determine how my business was run because I was afraid to hear complaints about money. I decided that I need to not let my worries get in my way of molding the business I have dreamed of since I was a child. I have begun the changes and am not having as many complaints as I feared. I am learning that parents in the school want their children to dance and they will pay for whatever is necessary to enable them.

 

Cynthia Bass, Dance For Fun, Inc., Orion, MI

I realized how desperately I needed to free myself and my 16-year-old daughter/assistant from the front desk and administrative duties. My “one thing to change” was to hire a new office manager—someone with sales experience, who had the same vision of growth that I do. Things are going great. More people are paying for the entire session up front because of his salesmanship. He has put together a checklist so that our winter registration and open house will run more smoothly (his idea). We used to sell dance shoes and apparel, and with my manager’s retail background, we have started to sell shoes again. I just know this is going to be an amazing year!

 

Nancy Derby, Derby Dance & Music Arts, Colorado Springs, CO

We decided to use photos in our ads that depict the ideal students we want to attract. I used your [stock photography] website info and found several images that we are using in studio startup ads in the newspapers and in our Yellow Pages ads. We track our advertising and it will be interesting to see how these photos impact the response to our studios.

 

Kim Revie, Miss Kim’s Dance Class, Chesterfield, MO

I fired a flirty employee, raised my student maximum, gave a discount to the competition students, and made a late-fee system that accumulates over time. I am trying to break up catty girl cliques that cost the studio business and am going to try to be more newsletter oriented. I also introduced two recreational classes, have revamped the schedule to combine small classes, and used CraigsList.com to find new employees.

 

Jenny Griffes, University City YMCA, Charlotte, NC

I resolved to delegate so that I could be home after school with my four children at least three days a week. Three of my staff members now handle office tasks while I am at home between 3:00 and 5:00 and one night a week. I no longer feel as pulled in different directions, nor do I have “guilty mom” syndrome, because my family is back on top of my priority list. I have learned that I can handle situations by phone and that many things can wait until the next day.

 

Dee Barnett, Concepts in Motivation, Inc.

I want to make changes, but slowly and in a well-thought-out way. I’ve already started developing an advertising plan using appropriate pictures to draw the right age group of students. I’ve also begun my six-times-a-year postcard plan of advertising open houses, recital dates, recital thank-yous, our dance-a-thon for asthma, summer camp, and new schedules and registration dates. And I’m working on a new brochure. I’ve enjoyed setting up new ideas and plans to make dance an ever-more-positive experience for our dancers and staff!

 

And here are a few on-the-spot plans for change offered during the DanceLife Teacher Conference seminar:

• I will give each child an acknowledgement or greeting at the end of class.

• I will vary the music more often.

• I will be better prepared with my music.

• I will restructure classes for more variety. I won’t accept the status quo.

• I will listen to complaints.

• I will be more thick-skinned.

• I will be more direct and proactive.

• I will balance my family and my business.

 

 

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Contact: Dance Studio Life, P.O. Box 2150, Norton, MA 02766,

Phone: 888-i-dance-9, 508-285-6650, Fax: 508-285-3179,

Email: Goldrushdance@aol.com


© Copyright 2008 Dance Studio Life Magazine, a division of the Rhee Gold Company and Gold Standard Press, LLC. Dance Studio Life Online is published twelve times annually. Contents of Dance Studio Life Magazine and Dance Studio Life Online may not be duplicated in whole or in part without permission of the publisher. Inclusion in Dance Studio Life does not imply endorsement by Dance Studio Life or its employees.

 

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